Silvia Dalla Benetta
Course program
The vocal technique in the service of the phrasing.
The technique of the Italian Belcanto, the expressiveness of the word.
Participants can choose songs as they please for their deepening to the masterclass.
Course program
Vocal Technique at the service of phrasing.
The technique of Italian Belcanto, the expressiveness of the word.
Participants can choose songs as they wish for their study in the masterclass.
Roma, September 2024 (days to be defined)
Church salons s. Angela Merici
General information and registration methods
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Interview with Silvia Della Benetta: The courage to believe in art.
Silvia Dalla Benetta
Equipped with a large vocal extension and a temperament of strong emotional impact, The Vicenza soprano is considered a reference artist of the great Italian tradition for the dramatic repertoire of agility, from Mozart to Rossini, From Belcanto more demanding to the young Verdi, Up to even the Puccini more lyrical thanks to its solid technique and the natural ability to tie the sounds. Silvia Dalla Benetta is now considered a cornerstone of the Seria Rossinian work, with unanimous consent of criticism and public.
Among the commitments of the 2020 They are reported by Requiem to Munich Monte-Carlo, Beethoven's ninth symphony in Piacenza the return to the Green Festival of Parma with the French version of Macbeth and the San Silvestro concert in Piacenza.
In 2019 Semiramide in Bilbao, Mass from Requiem to Taranto and Matera, The return to the Rossini Festival in Wildbad with a concert dedicated to some unpublished pages of Rossini, Vesprae Solennes of Confessor from Catania, The debut in the role of Lady in Macbeth in Pavia, As, Brescia and Cremona.
In the 2018 He played Micaëla in Carmen in Liegi, Solemn, Sinaïde in Moïse e Zelmira Al Festival Rossini in Wildbad, Summer concert in Liegi, Gulnara in Il Corsaro in Modena, Amaltea in Moses in Egypt in Pisa and Novara.
In 2017 He sang at the final concert of the Bustan Festival in Beirut with extracts from Nabucco and Aida, Norma to Ferrara, Fiordenigia in so fan all in Mexico City, Mozart minor, Zenobia in Aureliano in Palmira and Cristina in Eduardo and Cristina at the Rossini Festival in Wildbad, Hélène in Jerusalem al Festival Verdi di Parma, Norma to Charleroi and Hanna Glawari in La Vedova Allegra in Catania.
Opened the season 2015/2016 With Elisabetta in Elisabetta Regina di England in Sassari and Gulnara in Il Corsaro at the Green Festival in Parma; Then, After a tour in South Korea and one in China, He made his debut in the role of Marguerite in Les Huguenots at the work of Nice and returned to interpret the Lucerna Norma. He also debuted in the part of Bianca in Bianca and Gernando at the Rossini Festival in Wildbad, In Aida at the Mediterranean Festival in Malta and in the eponymous role in Sakuntala in Alfano in Catania. He concluded the year with a tour in Hungary for the Bartók Plusz OperaFestivál accompanied by the MAV Symphony Orchestra of Budapest.
The season 2014/2015 She saw her interpreter of Donna Anna in Don Giovanni in Pisa, Abigaille in Nabucco at the Mediterranean Festival in Malta, Elvira in Ernani at the Lithuania national work, Semiramide at the work of Nice, Fiorilla nor the Turk in Italy in Catania, The double role of Sophia/Heronyma in the new work of Hatzinasios El Greco in Athens, Eleonora in The Sicilian Vespro by Von Lindpaintner and Isabella in the happy deception at the Rossini Festival in Wildbad.
In the season 2013/2014 The successes in Elvira in Ernani at the national work of Lithuania succeeded each other, Alice in Falstaff in Sassari and Jesi, Verdi's Requiem Mass in Jesi, Norma at the National Theater of Croatia and Micaela in Carmen in Genoa, In addition to a recital dedicated to the greatest queens of the work: Anna Bolena, Lucrezia Borgia, Cleopatra, Elisabetta Regina of England, Don Carlo, Roberto Devereux, Semiramide, at the Olympic Theater in Vicenza and at the Alfieri Theater in Asti, of which a CD from Kikko Music was published.
In 2012/2013 It was acclaimed by public and criticism in Liù in Turandot in Pisa, Lucia di Lammermoor in Fermo, Violetta in La Traviata at the Mohammed V National Theater in Rabat, In addition to the concert directed by Andrea Battistoni dedicated to Rigoletto, The troubadour, The Traviata at the Verdi Festival in Parma and the Recital directed by Giampaolo Bisanti at the Olympic theater in Vicenza in which he masterfully played Verdian women with the most famous songs, passing from Oberto Conte di San Bonifacio to Ernani, The corsair, Luisa Miller, The troubadour, The traviata, Aida, The strength of fate, Don Carlo, Sicilian Vespers. At the Verdi Festival of Parma he also performed the roles of Giselda in the Lombards at the first crusade and Gulnara in Il Corsaro, published in DVD by UNITEL Classica, He then operates in Bilbao, When they enjoy a warm and triumphant staff in both occasions.
Silvia Dalla Benetta was considered by critics and by the many international feedbacks of the enthusiastic audience, Reference interpreter for the role of Violetta in La Traviata, The work that gave her the greatest satisfactions on some of the most prestigious international stages such as the Teatro Regio di Torino (Director: M. Turmoil; Regia: L. Pelly), May Music Fiorentinio (Director: G. Zombie; Regia: F. Ripa di Meana), Arena di Verona Foundation (Director: G. MARTINLHI; Regia: G. Hedge), Carlo Felice Theater of Genoa (Director: F. Carminati; Regia: H. Brockhaus), Opera in Toronto Mississauga (Director: F. Bonnin; Regia: R. Bernal), Puccini Festival of Torre del Lago (Director: F. Carminati; Regia: P. Trevisi) subsequently projected in all the cinemas of the most important Italian cities, Mohammed V National Theater of Rabat.
Its very particular vocality and fierce technique in agility singing and in dampening the sounds of lip with a ability to tie out of the ordinary, they guaranteed her great successes in the most markedly Belcantic roles such as: Norma(Pisa, Cremona, Pavia, As, Brescia, Trento, Zagreb, Lantern, Ferrara, Charleroi), Lucia di Lammermoor(Cagliari, Trieste, Udine, Pordenone, Stopped, Wiesbaden, Berna, Missisauga, St. Gallen, Livorno, Pisa, Lucca, Ravenna), Semiramide(Livorno, Rovigo, Trento, Pisa, Luberon Les Musicales Festival, Nice, Bilbao); Fiorilla in the Turkish in Italy(Pisa, Trieste, Vicenza, Hamburg, Catania); The four roles of Olympia, Giulietta, Antonia in Stella(Lombard lyric circuit).
There was no lack of the most frankly lyrical roles of the great opera repertoire, always sung at the highest levels and in the most prestigious theaters: they took turns mimì in la bohème(Palma de Mallorca, Hong Kong), Micaëla in Carmen(Arena in Verona, Novara, Palermo, Genova, Liege), Alice in Falstaff(Livorno, Lucca, Pisa, Ravenna, You are, Sassari), Hanna Glawari Ne La Vedova Allegra Di Lehar (Trieste, Genova, Verona, Catania).
Great charisma, It expresses on stage enough to be one of the most appreciated artists by directors such as Henning Brockhaus, Hugo de Ana, Laurent Pelly, Daniele Abbado, Franco Iziffirelli, Jonathan Miller and the late Lamberto Puggelli. It combines a great concert activity with the opera repertoire and is directed by some of the most prestigious international berries such as Roberto Abbado, Andrea Battistoni, Giampoire bisi, Daniele Callegari, Antonino Fogliani, Gianluigi Gelmetti, Nicola Luisotti, Carlo Montanaro, Pierandi piergio, Daniel ears, Renato Palumbo, Donato Renzetti, José Miguel Perez-Sierra, Jonatan Webb.
He graduated from the "Benedetto Marcello" Conservatory in Venice with full marks and praise and then continued his studies with Romano Gandolfi, Aldo Ceccato, Stella Silva, Mirella Parutto, Alida Ferrarini, Ida Adami Corradetti, LUCIANA SERRA, Denia mowing, Sherman Lowe, Renata Scotto.
In the 2004 he won the Sanremo's lyrical competition, thus opening up to an international career.
Silvia Dalla Benetta
Gifted with an astonishing vocal extension and a temperament of strong emotional impact Silvia Dalla Benetta has truly become one of the most renowned sopranos of the great Italian tradition in the dramatic coloratura repertoire. The Vincenza-Born Soprano, thanks to her amazing technique and her natural ability to tie notes, carries us from Mozart to Rossini, from hard Belcanto to young Verdi, to lirical Puccini. Today Silvia Dalla Benetta is truly considered by both the critique and the public one of the best interpreters of Rossini’s dramatic roles.
In 2019 we will see her in Semiramide in Bilbao, Mass from Requiem in Taranto and Matera, once more at the Rossini Festival in Bad Wilbad in a concert featuring some of Rossini’s unpublished work, Vesprae Solennes de Confessore in Catania. We will see her in Pavia for her debut in the role of Lady Macbeth in Verdi’s Macbeth and then in Como, Brescia and Cremona. In 2020 Mass from Requiem in Monaco Monte-Carlo, A Concert in Piacenza, the French version of Macbeth at the Festival Verdi in Parma and the New Year Eve Concert in Piacenza.
In 2018 she sang Micaëla in Carmen in Liège, In small solemn mass, Sinaïde in Moïse and in Zelmira at the Rossini Festival in Bad Wildbad; she appeared at the Concert d’été (Summer Concert) in lices, And Also Sang Gulnara in Il Corsaro in Modena and Amaltea in Moses in Egypt in Pisa and in Novara.
In 2017 Slivia Dalla Benetta appeared at the Concerto Finale for the Al Bustan Festival in Beirut with arias from Nabucco and Aida. She Sangs in Norma in Ferrara and Fiordenigia in so fans all in Mexico City. She Also Appered in Mozart's put in do minor, Zenobia in Aureliano in Palmira and in Cristina in Eduardo e Cristina at the Rossini Festival in Bad Wildbad, in helen in jerrusalem at the festival green, and Again in relation to Charleroi and in Hanna Glawari in La Vedova Allegra in Catania.
The Italian soprano started her 2015/2016 Season with Elisabetta in Elisabetta, Queen of England in Sassari. Then she sang gulnara in Il Corsaro at the prestigious festival Verdi Parma, Marguerite in Les Huguenots at the Nice Opera House, Norma in Lucerne, White in White and Gernado at the Rossini in Wildbad Festival, Aida in Malta, Sakuntala in Alfano's The legend of Sakuntala in Catania and Opera Gala Concerts in Hungary with MAV Symphony Orchestra.
In the 2014/2015 season the Italian soprano excelled in her role debut as Abigaille in Nabucco in Gozo, Malta, having previously debuted as Elvira in Ernani at the Lithuanian National Opera of Vilnius; Semiramide in Nice, Woman Anna in Don Giovanni in Pisa, Fiorilla in Il Turco in Italy in Catania, Sophia/Heronyma in the World Premiere of Hatzinasios’s El Greco in Atthens, Eleonora in Lindpaintner's the Sicilian Vespro and Isabella in L'Onno Felice At The Rossini in Wildbad Festival.
The 2013/2014 season was marked by her interpretations of two Verdian roles, Mass from Requiem in Jesi and Alice in Falstaff in Sassari and Jesi, as well as by performances of Bellini’s Norma in Zagreb and Micaëla in Carmen at the Teatro Carlo Felice of Genoa and gala concerts in Vicenza’s Teatro Olimpico and the Teatro Alfieri of Asti.
Silvia Dal Benetta's Extensive Rocpertoire Includes Roles Such As Gulnara in Il Corsaro (Parma Verdi Festival, Abao Bilbao and Modena), Giseled in The singers at the first crusade (Regio Teatro di Parma), Cio-Cio San in Madama Butterfly (in tour with the Teatro Verdi of Trieste), Mimì in La Bohem (Palma de Mallorca and the Hong Kong Performing Arts Center), Liù in Turandot (Verdi of Pisa Theater), Hanna Glawari in The Merry Widow (Trieste's Verdi Theater, Genoa's Carlo Felice Theater, The Arena di Verona Foundation and Catania's Teatro Massimo Bellini), Micaëla in Carmen (Arena in Verona, Massimo Teatro di Palermo, The Aforementioned Production of the Carlo Felice and Opéra Royal de Wallonie-Liège), Marguerite in Gounod’s Faust (Coccia theater of Novara), Juliette in Romeo and Juliet (Trieste), and the four women of Les contes d’Hoffmann (Lombard lyric circuit).
Silvia Dalla Benetta’s brilliant interpretation of Violetta Valéry in Verdi’s La traviata has been a point of reference in excellence by both the critique and a very enthusiatic public ; performances for which she’s received personal ovation in premiere theaters such as Turin’s Teatro Regio, The Maggio Musical of Florence, The Arena in Verona, The Teatro Carlo Felice, Toronto's Mississauga Opera, The Puccini Festival of Torre del Lago (with transmission in cinemas throughout Italy), and the Mohammed V National Theater of Rabat.
Belcanto repertoire has likewise played a significant role in Dalla Benetta’s wide-ranging career, with successes as Norma (Pisa, Cremona, Pavia, As, Brescia, Trento, Zagreb, Lucerne, Ferrara and Charleroi), The Title Role in Lucia di Lammermoor (Cagliari, Trieste, Stopped, Wiesbaden, Bern, Mississauga, St. Gallen, Livorno, Pisa, Lucca, and Ravenna), Rossini's Semiramide (Livorno, Rovigo, Trento, Pisa, Luberon Les Musicales Festival, Nice and Bilbao), and Fiorilla in Il Turco in Italy (Vicenza, Hamburg, Pisa, Trieste, Catania).
Silvia Dalla Benetta has collaborated with conductors Roberto Abbado, Andrea Battistoni, Giampoire bisi, Daniele Callegari, Antonino Fogliani, Gianluigi Gelmetti, Nicola Luisotti, Carlo Montanaro, Pierandi piergio, Daniel ears, Renato Palumbo, Donato Renzetti, José Miguel Perez-Sierra, Jonathan Webb among others, as well as stage directors Franco Zeffirelli, Jonathan Miller, Daniele Abbado, Laurent Pelly, Hugo De Ana and Henning Brockhaus.
The Vicenza-born soprano studied at the Conservatorio “Benedetto Marcello” of Venice and counts among her teachers Romano Gandolfi, Aldo Ceccato, Stella Silva, Mirella Parutto, Alida Ferrarini, Ida Adami Corradetti, LUCIANA SERRA, Denia mowing, Sherman Lowe, and renata scotto. She was the 2004 winner of the Sanremo Opera Competition.
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“The central register is sumptuous, The brilliant sharpness. His Lady excites for scenic involvement and excavation on the word. Sleepwalking is characterized by a very noble phrasing and the iridescent colors of the stamp“
Paolo Bullo – Opera Click
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“Absolute protagonist of the evening Silvia Dalla Benetta, which outlines a lady with a very strong personality. The soprano can count on a technical safe, that allowed her to show off, After thirty years of career, A very solid center, acute centered, appropriate agility and to overcome the difficulties of which the part is framed. What characterized his interpretation is a meticulous job on the word, on the meaning of each accent”
Gianlica Macovez – At Plata
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“The star was Silvia Dalla Benetta, of an explosive magnificent. Verdi would have been happy with how he managed with the word to translate the various dramaturgical situations. His vigorous acting at times, at times sensual, at times smug… This diaboloca queen filled the stage, there was no eyes for her”
The work – International Magazine