Portraits of the master Mirco Roverelli
© Musacchio & Ianniello
Mirco Roverelli
Roma, 7/8/9 June 2024
Friday 7 (only afternoon) – Saturday 8 (morning and afternoon) – Sunday 9 (morning and afternoon) – Final concert Sunday evening
Final concert Sunday 9 June 2024
Course program
The course is dedicated to pianists who want to start an alternative path to solism, then start, deepen or perfect the profession of master collaborator.
The masterclass provides for the study of lyrical works and/or individual work arias.
Particular importance will be given to the methods of execution, loyalty to the score but also to executive traditions, and to practice with singers, STUDENTS OF THE SINGS MASTERCLASSES, with which hours of study and collective study are planned together with the teachers .
The study and exercise of reading at first sight will also be very important which is a fundamental part of the work of the master collaborator.
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Symphonic/choral repertoire
During the lessons, In addition to the correct approach on piano accompaniment, The knowledge of lyrical works and among the most important songs of the symphonic/choral repertoire will deepen.
Furthermore, part of the course will be dedicated to the preparation of choral songs normally used in the competitions of lyrical and symphonic entities.
The collaboration with singers will give the opportunity to learn how to accompany lyrical arias or simply how to teach a single choral part.
Course program
The course is dedicated to pianists who want to start an alternative path to soloism, then begin, deepen or perfect the profession of master collaborator.
The masterclass includes the study of operas and individual opera arias.
Particular importance will be given to the methods of execution, fidelity to the score but also to the executive traditions, and to the practice with singers, students of the singing masterclasses, with whom there are hours of collective study and deepening together with the teachers.
The study and practice of sight reading will also be very important, which is a fundamental part of the work of the Master Collaborator.
Specific program for choral symphonic and choral lyric repertoire
During the lessons, in addition to the correct approach to piano accompaniment, the knowledge of operas and some of the most important pieces of the symphonic/choral repertoire will be deepened. Furthermore, part of the course will be dedicated to the preparation of choral pieces normally used in competitions of opera and symphony organisations. Collaboration with singers will give the opportunity to learn how to accompany operatic arias or simply how to teach a single choral part.
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Information and registration
Info e contatti/ Info and contacts
Mirco Roverelli ha Once the piano diploma is obtained under the guidance of Maestro Stefano Cucci with the Massimo of the votes at the Conservatory of S.Cecilia in Rome, where he also studied composition.
He then followed the specialization course held by Maestro S. around the National Academy of S.Cecilia graduating in 1995 with maximum votes and praise.
Had the first statement to just 9 years resulting winner of the second prize at the "Pianisti d'Italia Cup". Since then he has collected numerous awards in various national and international competitions (including 6 first prizes).
Debuted in a solo recital only 12 years and since then he has held concerts, also as a soloist with orchestra, In the main Italian cities.
Abroad he played in prestigious concert halls, among which the Queen's Hall in Edinburgh are remembered, Il golden living room of the colon theater di Buenos Aires, Wells Chaterral in England, il Museo Liszt in Budapest.
In addition to the solo activity, For twenty years he has been actively dedicated to collaboration in the opera and symphonic choral repertoire.
Collaborates with Rai, Radio 3 and recorded for the "La Barcaccia" broadcast selections from Carmen with B.Baglioni and Falstaff with G.taddei, F.cossotto, A.Romero e J.Perry. Accompanied internationally renowned singers: among others, J. Carreras, F. bonisolli, A.RINALLI, R.ARONICA,F.M.Capitanucci, J. Kaufmann, A. Netrebko, S. Ganassi (Just to name a few).
Dal 1998 He is a master collaborator of Sala at the National Academy of Santa Cecilia, and worked with the greatest directors including: W.Sawallisch, J. Tate, C.abado, G.Sinopoli, M.W.Chung, G.Pretre, D.oren, A.pappano and many others.
E’ was the pianist for the concert held by the great baritone Leo Nucci held in Spoleto for his 40 years of career, Of which a concert was also recorded a live CD.
E’ regularly invited to important international competitions as an accompanying pianist and to keep master classes as a trainer of lyrical singers.
In December 2010 he also undertaken the activity of conductor who has already seen him engaged in several concerts, And recently he made his debut in the Carmen works of G.BIZET, Tosca by G.Puccini and Barber of Siviglia by Rossini, enjoying great success for criticism and public.
In the 2013 He was invited to the prestigious Gabala Festival of Baku (Azerbaijan) directing a lyrical concert with the Jerusalem Philarmonic Orchestra, he saw, among others, The participation of the great baritone Sergei Leiferkus and the tenor Yusif Eivazof.
In March 2016 He was invited to keep a symphonic concert with the Bacau Symphony Orchestra, enjoying a very warm success.
In July 2017 He made his debut at the Mythos Opera Festival in the Carmen of G.BIZET, In the magnificent setting of the Maniace Castle of Siracusa. In the 2018 He made his debut as director in Traviata at the Festiva Viva Opera di Magnitogorsk in Russia.
E’ The creator of the website www.baseforsing.com , entirely dedicated to the musical bases of work arias performed personally on the piano.
Mirco Roverelli he graduated in piano under the guidance of Maestro Stefano Cucci with full marks at the Conservatory of Santa Cecilia in Rome, where he further studied composition.
He then followed the specialization course held by M ° S. Perticaroli at the National Academy of S. Cecilia, graduating in 1995 with full marks and honors.
He had his first success at just 9 years old, winning the second prize at the “Coppa Pianists of Italy”. Since then he has collected numerous awards in various national and international competitions (including 6 first prizes).
He made his debut in a solo recital at the age of 12 and has since given concerts, also as a soloist with orchestra, in major Italian cities.
Abroad he has played in prestigious concert halls including the Queen’s Hall in Edinburgh, the Salon Dorado of the Colon Theater in Buenos Aires, La Wells Chatedral in England, The Liszt Museum in Budapest.
In addition to the activity of soloist, he dedicates himself to a collaboration in the symphonic opera and choral repertoire.
He collaborates with Rai, Radio 3 and has recorded selections from Carmen with B.Baglioni and Falstaff with G.Taddei, F.cossotto, A.Romero and J.Perry for the broadcast “La Barcaccia”. He has accompanied internationally renowned singers: among others, J. Carreras, F. Bonisolli, A.RINALLI, R.ARONICA, F.M.Capitanucci, J. Kaufmann, A. Netrebko, S. Ganassi (just to name a few).
Since 1998 he has been a collaborator in the hall at the National Academy of Santa Cecilia, and has worked with the greatest conductors including: W. Sawallisch, J. Tate, C. Abbodo, G.Sinopoli, Mwchung, G.Pretre, D .oren, A.Pappano and many others.
He was the pianist for the concert held by the great baritone Leo Nucci held in Spoleto for his 40-year career, of which a live CD was also recorded.
He is regularly invited to important international competitions as an accompanist pianist and to hold Master Classes as a trainer for opera singers.
In December 2010 he also embarked on the activity of conductor which has already seen him involved in several concerts, and recently he made his debut in the operas Carmen by G.Bizet, Tosca by G.Puccini and Barbiere di Siviglia by Rossini receiving a great critical and public success.
In 2013 he was invited to the prestigious Gabala Festival in Baku (Azerbaijan) conducting a lyric concert with the Jerusalem Philarmonic Orchestra, which saw, among others, the participation of the great baritone Sergei Leiferkus and the tenor Yusif Eivazof.
In March 2016 he was invited to hold a symphonic concert with the Bacau Symphony orchestra, enjoying a very warm success.
In July 2017 he made his debut at the Mythos Opera Festival in G.Bizet’s Carmen, in the magnificent setting of the Maniace Castle in Syracuse. In 2018 he made his debut as conductor in Traviata at the festive VIVA OPERA in Magnitogorsk in Russia.
He is the creator of the website www.baseforsing.com, entirely dedicated to backing tracks of opera arias performed personally on the piano.